“transitional” late-18th/early-19th century often called the
Emma
It’s lovely to be young, beautiful, rich, and wise. Emma Woodhouse knows she has been blessed in many ways, not the least of which is in her natural gift for arranging the affairs of others. Having arranged a perfect marriage between her former governess Miss Taylor and the wealthy Mr. Weston—in spite of the doubts cast on her matchmaking
It’s lovely to be young, beautiful, rich, and wise. Emma Woodhouse knows she has been blessed in many ways, not the least of which is in her natural gift for arranging the affairs of others. Having arranged a perfect marriage between her former governess Miss Taylor and the wealthy Mr. Weston—in spite of the doubts cast on her matchmaking prowess by her friend and neighbor Mr. Knightley—Emma launches a plan to save her new protégée, Harriet Smith, from an unsuitable marriage to Robert Martin, a modestly prosperous farmer.
Wrote satirical novels of manners (Evelina, Cecilia).
Blended comedy, romance, and social commentary — paving the way for Austen’s style.
2. Maria Edgeworth (1768–1849)
Anglo-Irish novelist.
Focused on education, morality, and social class (Castle Rackrent, Belinda).
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1. Frances Burney (1752–1840)
A major influence on Austen.
Wrote satirical novels of manners (Evelina, Cecilia).
Blended comedy, romance, and social commentary — paving the way for Austen’s style.
2. Maria Edgeworth (1768–1849)
Anglo-Irish novelist.
Focused on education, morality, and social class (Castle Rackrent, Belinda).
Austen admired her — Emma was compared to Edgeworth’s Belinda.
3. Ann Radcliffe (1764–1823)
Queen of Gothic fiction (The Mysteries of Udolpho).
While Austen didn’t write Gothic herself, she parodied Radcliffe’s style in Northanger Abbey.
4. Mary Wollstonecraft (1759–1797)
Philosopher and early feminist (A Vindication of the Rights of Woman).
Less a novelist of manners, more an intellectual, but her ideas about women’s roles influenced Austen’s context.
5. Sir Walter Scott (1771–1832)
Known for historical novels (Waverley, Ivanhoe).
Admired Austen’s realism — he famously praised her ability to portray “the ordinary.”
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Romanticism era late 18th to mid-19th century, about
(Produced some of the most famous poets, novelists, and essayists in Western literature. Romantic authors emphasized emotion, imagination, nature, the individual, and rebellion against industrialization and rigid traditions.
Major British Romantic Authors
William Blake (1757–1827) → visionary poet/artist (Songs of Innocence and Experience).
William Wordsworth (1770–1850) → celebrated nature, ordinary life (Lyrical Ballads, with Coleridge).
Samuel Taylor Coleridge (1772–1834) → imagination, supernatural (The Rime of the Ancient Mariner, Kubla Khan).
Lord Byron (George Gordon Byron) (1788–1824) → flamboyant, rebellious Byronic hero (Childe Harold’s Pilgrimage).
Percy Bysshe Shelley (1792–1822) → radical, lyrical (Ode to the West Wind, Prometheus Unbound).
John Keats (1795–1821) → sensual imagery, transience of beauty (Ode to a Nightingale, To Autumn).
Mary Shelley (1797–1851) → Gothic + Romantic novelist (Frankenstein).
Sir Walter Scott (1771–1832) → historical novels (Ivanhoe).
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German Romantic Authors
Johann Wolfgang von Goethe (1749–1832) → Faust, key inspiration for Romanticism.
Friedrich Schiller (1759–1805) → plays and poetry on freedom and beauty.
Novalis (Georg Philipp Friedrich Freiherr von Hardenberg) (1772–1801) → mystical, symbolic poetry (Hymns to the Night).
E.T.A. Hoffmann (1776–1822) → Gothic/uncanny tales (The Sandman).
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French Romantic Authors
Jean-Jacques Rousseau (1712–1778, precursor) → personal emotion in Confessions.
François-René de Chateaubriand (1768–1848) → father of French Romanticism (Genius of Christianity).
Alphonse de Lamartine (1790–1869) → lyric poetry (Méditations Poétiques).
Victor Hugo (1802–1885) → epic novels (Les Misérables, The Hunchback of Notre-Dame).
George Sand (Aurore Dupin) (1804–1876) → social themes, independence (Indiana).
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American Romantic Authors (often called “American Renaissance”)
Washington Irving (1783–1859) → early American short stories (The Legend of Sleepy Hollow).
Edgar Allan Poe (1809–1849) → Gothic Romanticism (The Raven, The Fall of the House of Usher).
Nathaniel Hawthorne (1804–1864) → dark romantic themes (The Scarlet Letter).
Herman Melville (1819–1891) → Romantic + symbolic (Moby-Dick).
Walt Whitman (1819–1892) → free verse, democratic spirit (Leaves of Grass).
Ralph Waldo Emerson & Henry David Thoreau → Transcendentalists, tied to Romantic ideals (Nature, Walden).